Please note that seating is very limited and registration is REQUIRED. There is a two-ticket limit per order. Please register at: https://www.eventbrite.com/e/master-throat-singers-alash-return-to-the-rotunda-presented-w-bowerbird-registration-291289343267

Masking and contact tracing enforced.

ALASH ensemble is a trio of master throat singers (xöömeizhi) from Tuva, a tiny republic in the heart of Inner Asia. The ancient art of throat singing (xöömei) developed among the nomadic herdsmen of this region. Alash remains grounded in this tradition while expanding its musical vocabulary with new ideas from the West.

Name: The ensemble is named for the Alash River, which runs through the northwestern region of Tuva. The Alash River has also inspired a couple of Tuvan songs which carry its name.

Background: All members of Alash were trained in traditional Tuvan music since childhood, first learning from their families, and later becoming students of master throat singers. In 1999, as students at Kyzyl Arts College, they formed a group called Changy-Xaya and soon became the resident traditional ensemble on campus. At the same time they learned about western music, practiced on hybrid Tuvan-European instruments, and listened to new trends coming out of America.

Under the guidance of Kongar-ool Ondar (best known to western audiences for his role in the film Genghis Blues), Alash began to forge a new musical identity. They introduced the guitar and sometimes even the Russian bayan (accordion) into their arrangements, alongside their traditional Tuvan instruments. They experimented with new harmonies and song structures. The effect is an intriguing mixture of old and new.

Influences: The musicians are inspired by the music of their grandparents, great-grandparents, and the great musicians of Tuva and Central Asia. At the same time they are influenced by such western artists as Sun Ra and Jimi Hendrix. Yet the Alash musicians never sacrifice the integrity of their heritage in an effort to make their music more hip for an American audience. Rather they look for contemporary ideas that mesh well with the sound and feel of traditional Tuvan music.